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'Skulldog'  2003  Oils on board  45 x 45 cm

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'Looking Down the Blue Road'  2003   Oils on Paper    20 x 30 cmKathryn Dodd

Born in 1962 in suburban London. Studied at Epsom School of Art and Design, Surrey; Roehampton Institute — Digby Stuart College, London and through The Society of Scribes and Illuminators Associate Scheme.

Worked as a freelance calligrapher, graphic designer and calligraphy and lettering tutor, writing accredited courses for Surrey Open College Federation and Sutton College of Liberal Arts before setting up her studio in West Wales in 1995.

She has exhibited throughout Britain since 1990 and has work in private collections in UK, London, New York and Spain.




Acts of Containment — a review of Kathryn Dodd's work by Nathan Shaw


When talking about herself and her work Kathryn Dodd is reluctant to call herself a painter although she refers to the finished works as 'paintings'; she says: “I think of a 'painter' as being involved in the process of expression through the medium of paint, the material is the carrier of the process and the very physicality of the interaction with the paint is primary. The use of materials for me is really about expediency; I am looking for the most efficient way to talk about ideas. I think of myself as a hybrid between designer, painter, letterer, writer and even sculptor (in as much as some of my paintings involve the building of surface relief). My work is not really about 'expression', conversely I think of these paintings as acts of containment, they are more about defining edges and boundaries and the holding of ideas and feelings than the expression of them, at the end of the day it's an attempt to bring order to chaos and create a window of space in which to focus on, identify and describe elusive ideas. I think of art as an extension to our ordinary mode of interaction with the world, a bit of end-space, an extra dimension”.

'Matrix 1'   2002  Oils on board   91 x 91 cmThese paintings are first and foremost about concept and content but they are made with a keen design sensibility and the subtle graphic organisation of compositional elements reveals the artists long-term experience with design and lettering. This is an important factor in the reading of these works, she is offering a familiar language of designed space alongside the use of words and lettering with which to extrapolate and define some of the complex and evasive issues she is addressing.

Surface and finishing are paramount, these are beautiful objects skilfully wrought. Lovely surfaces, oil glazes, scratched lettering, sometimes plaster, gesso and gold. They have a seductive glamour, which deceives a little to draw the viewer closer to consider some of the challenging issues embedded within. They are intelligent paintings layered with ideas about self, science, psychology and spirit. There is a sense that the artist is trying to reach for something truly fundamental about being human, a core or primary matrix underlying behaviour emotions and desires. There are some correlations here with Aboriginal and tribal art as she searches for 'ancestor beings' and enquires into ideas of heredity and legacy, however these paintings are made firmly in the context of a 21st century Western environment and encompass many other personal and cultural enquiries about the nature of our lives. There is a dark undercurrent, which sometimes emerges to envelop the surface, that considers issues of loss, identity and violation but overall these are celebratory paintings about resilience and beauty.

Dodd has made her home in rural West Wales coming originally from the London Suburbs although her family roots lie in the North East of Scotland and this cultural composite resonates strongly within her work. The visual impact is controlled and contained but the use of the artist's words, poetry, symbols and iconic forms, which are often incorporated into the whole, give the work an edgy romance. There is a suburban constraint disturbed and infiltrated by the deep stories, songs and languages of old, more enduring cultures and the restless discomfiture of a migrant perennially questing for identity and belonging.

© Nathan Shaw 2003


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Current Exhibitions

Represented in MOMA Wales 'Modern Welsh Art' showcase in Machynlleth

   

About the Artist    Current Exhibitions    Past Exhibitions    Other Work    Back to Top



Past Exhibitions


Solo :

  • 2002 : 'Recent Paintings' — Oriel Llyfrgell Gallery, Carmarthen, Wales
  • 2003 : Oriel Llyfu, Carmarthen
  • 2003 : 'The Blue Road / Y Ffordd Glas' — Oriel Emrys Gallery, Haverfordwest

Group :

  • 1990 : 'Fine Words Fine Books — Masterworks of Modern Calligraphy & Bookbinding' — St Paul's Cathedral, London — Holbourne Crafts & Study Centre, Bath
  • 1991 : 'Age of Innocence' — Paperpoint Gallery, London & 8 UK venues
  • 1992 : 'Love Letters' — Paperpoint Gallery, London & 8 UK venues
  • 1993 : 'Text & Image' — Off Centre Gallery, Bristol
  • 1994 : Fire & Iron Gallery, Surrey
  • 1995 : 'Tiger Tiger' — Fire&Iron Gallery, Surrey
  • 2000 : 'mocē ' — Whitely's Atrium Gallery, London (with Jane Hawkins)
  • 2000 : Fire&Iron Gallery, Surrey (with Jane Hawkins)
  • 2001 : 'Personal Effects' — Southside Contemporary Art, Surrey
  • 2001 : 'Bath Society of Artists Open' — Victoria Art Gallery, Bath — Selected
  • 2001 : 'Out of the Woods' — Southside Contemporary Arts, Surrey
  • 2001 : 'Spread the Word' — Barn Galleries at Henley Arts Festival
  • 2001 : 'Collective Affinity' — Southside Contemporary Art, Surrey
  • 2002 : 'Four Corners' — The Farnham Maltings, Surrey
  • 2002 : Thorndike Theatre Gallery, Surrey
  • 2002 : Celf Cambria Arts, Tregaron, Wales
  • 2002 : Oriel Guildhall Gallery, Cardigan, Wales (with Peter Coviello)
  • 2002 : White Gallery, Swansea
  • 2002 : Diesel House Studios Summer Exhibition, London
  • 2002 : 'Traffic / Traffig' — Oriel Llyfrgell Gallery & Southside Contemporary Art, Surrey
  • 2002 : 'Word&Image' — Fishguard Arts Society, Wales
  • 2003 : 'The Written Word' — Portsmouth City Art Gallery&Museum
  • 2003 : King Street Gallery — Carmarthen
  • 2003 : 'Modern Welsh Art' — MOMA Wales, Y Tabernacl, Machynlleth
     

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Other Work

'Skinwalker 1'  2002  Oils on board  60 x 60 cm  (first in Triptych)Published work :

  • 'Fine Words, Fine Books — Masterworks of Modern Calligraphy and Bookbinding'
  • 'The Rhythm of Writing' — Satwinder Sehmi
  • 'Step-by-Step Calligraphy Projects' — Sue Hufton

Co-curated and organised the 'Traffic / Traffig' exhibition which travelled the work of 14 Welsh and English artists in autumn 2002.


Teaching :

  • 1992 - 95 : Mid-Surrey, London Borough of Sutton, London Borough of Croydon, HMP Wormwood Scrubs
  • 1993 : Co-wrote advance level accredited calligraphy & lettering course for Surrey Open College Federation
  • 1994 : Wrote advanced / intermediate accredited calligraphy & lettering course for Sutton College of Liberal Arts

Graphic Design and Lettering :

1984 - 98 : Freelance for print, display and signage, also private commissions for individuals, Borough Councils and businesses. Clients include : Designer's Guild — London, Waterstones Bookshops, Penguin Books, Dulwich Picture Gallery, CB Design, HQ Perfumes — Switzerland, Ericsson.


Publications :

  • 'Fine Words Fine Books — Masterworks of Modern Calligraphy & Bookbinding'
  • 'The Rythmn of Writing' by Satwinder Sehmi, Gallery section
  • 'Step-by-Step Calligraphy' ed. Sue Hufton, project chapter
  • 'The Scribe' SSI Journal

Appointments :

  • Associate of the Society of Scribes & Illuminators
  • Secretary, Friends of Oriel Myrddin 2000 - 2002
  • Executive committee Carmarthenshire Arts Forum 2001
  • Organiser for Art West 2002 open exhibition

Projects :

  • June 2001 — Sculpture collaboration with Stone carver Marcus Fitzgibbon, Dorset
  • June 2001 — Sculpture collaboration with Fire and Iron gallery, Surrey, in iron & metals
  • March 2002 — Printmaking collaboration with Atelier 2221 studio in Delhi, India
  • Sept/Oct 2002 — Curated, organised & co-ordinated 'Traffic / Traffig' travelling exhibition for 14 artists from England and Wales

Forthcoming projects :

  • November 2003 : Group show — Apple Gallery, Surrey
  • December 2003 : Christmas Show — Fountain Gallery, Llandeilo
  • October 2004 : MOMA Wales, Machynlleth — solo show
  • Autumn 2004 : 'Surface Tensions' — 3-person show — London
  • September - December 2004 : 'Traffic 2 / Traffig 2'

Collections :

Private collections in UK, London, New York and Spain.


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